My Favorite Politician

Believe it or not, there's one politician that I REALLY LOVE!!!!!!! Can you guess who? This politician never intended to be one, but she certainly is one. When the next presidential election comes around, I will vote for:

That's right, my cute, cuddly, CAT!!!!!!

Another LOTR Dream from my Sister

Moria's wealth was not in gold or jewels, but in oil, and when the Balrog arrived, he went to school, where all the children, except the ones with swords, ran away in fright (is that a case for or against weapons in school?). Then, the Balrog ran away from his own orcs.

Yet Another Wonderful Poll Has Closed

Yes, another day and another poll. It seems more people in our small group of readers prefer Phantom of The Opera to Les Miserables (speaking of that, I still need to finish my lengthy analysis). However, Les Miserables is currently at the number one spot last I checked. But Phantom of The Opera is still playing while Les Mis is not. Figure that one out.

The Day of The Polls

Another day has passed, and another poll hath closed it's doors.

Well, that's not exactly poetry, but the poll is closed, and Tolkien
won by a CLEAR majority. Sorry all of you Chesterton fans. :-)

A LOTR Poem

All of you who wanted more poetry from me, try this

Lessons from the Valaquenta

I. On Humility

One slight oddity in the Valentaqua is Tolkien’s treatment of the Four Elements, earth, air, fire, and water. He does NOT associate one with each temperament. The oddity consists in who is associated with what element. Obviously, Manwe is the angel of the air, Ulmo the angel of the water, and Aule the angel of the earth. Under this system, air, not the traditional fire, is treated as the highest element. What could be the significance of this?
The closest there is to being a spirit of fire in the Valentaqua is Melkior, the devil. Described by Tolkien as the greatest of the Ainur, Melkior is also the spirit of the highest element, fire, the element associated with creation, existence, and God in the Ainuirnidale. He, the highest angel, is the fallen one, and his very height is that by which he fell (remember: he searched for the secret fire in the Ainuirindale, and, failing to find it, tried to create his own things and fell from grace).
This is a good explanation for why Melkior fears Elbereth, not Manwe, most of all the Valar. Elbereth, the woman of the stars, is the closest to a fire-angel of all the Valar. Yet she does not make things with her fire in the same way that Melkior aspired to do; her things are real and natural, not the evil parodies that are orcs and trolls. By staying within the bounds of God’s creativity and goodness, Elbereth, though a firey spirit, humbly escaped Melkior’s self-inflicted doom.
Sauron, the greatest of Melkior’s servants, is falls in much the same way as Melkior. Sauron, it is said, was a maia of Aule, and thus would have been skilled in the art of making, Through this, the desire for making is portrayed as a great temptation to pride and evil from its height that comes with affinity with Creation, a fact that is reinforced throughout the whole book (Feanor is the greatest example) and even in the Lord of the Rings proper. Such an idea is consistent with Maritain’s evaluation of the art of making: he gives it a dignity approaching the art of thinking and warns that he who would aspire to the highest and most creative form of making, abstract art, must beware of the extreme temptation to pride.
The crucial difference between Sauron and Aule is obedience and humility: Sauron’s ring is something that anyone is loth to give up, (including himself), but Aule obeys Iluvitar when he is caught making the Dwarves out of season. Aule is also uninterested in using what he makes, but makes for the joy of making, a humble activity. One last parallel is that Aule’s creative work would have used fire to achieve its ends.

II. On the priorities of the Valar

From this furious dichotomy of angelic good and angelic evil, the task of the Valar and their opposites emerged. The Valar are precisely those Ainur who loved the material world so much that they wished to enter it, the evil versions entered it to twist it.
From this love of the world, the Valar became spirits of protection. Their society-structure reflects in one significant way the most marital society the human world has ever known: Dark Ages Northern Europe.
In the company of the Valar, the feminine characters do the productive work of growing plants and tending animals. Most of the masculine characters are limited to functions of war and worship: Orome and Tulkas are warriors, Manwe and Ulmo are wise councilors, Mandos tends the dead souls, and Lorien…inspires? This is exactly the structure in the Dark Ages society mentioned above. Aule makes, of course, but his skill in making is strangely out of place sometimes: it causes the elves to make the tragic silmarils, it makes the Dwarves out of turn, and it does not provide anything of use to the war. In some places, Aule is the only Valar that comes of looking in any way foolish. Doubtless, he has a magnificent aeon of glory while in Valinor, but in summary, making, unlike military virtue or practical productiveness, is not something that is always a wise indulgence.
This allusion to the Dark Ages society illustrates the grand peril in which Middle-earth is caught: it prevents even the Angels from forming a society bases primarily on the arts of peace.

Welcome to one of MY favorite topics.

Dreams.

For starters, my sister dreamed that Merry and Pippin, while on the way to a secret "How to kill a Balrog" council, killed the balrog.

Do You Like Obama? NO!!!!!!!!

It's official: nobody likes Obama!!!! Well, at least no one of the six
people that voted. :-) Maybe I should put up a poll about Bush
next. I'm really going to get thrown in jail someday (if I get lucky).

Reactions

Okay, I though I would try using these reaction thingys. Since we've
been coming up with pretty much anything (which we can still do of
course), I thought it would be good to know exactly what people are
reading and not reading. So here they are! Take a quick look after each
of your posts to see who's reading and who's not!

Appendix to the Dracula article

In house of mirrors, where shining bloody knives
Kaleidoscopically dance on eyes edge
Swift-bearing madness while women’s sharp kiss
Threatens to deaden high madness’s ledge
The bearer of death, the holder of knife
Stands keenly intent on murder within,
With blood perfuming, raining, his like-life
Mouth-piece, in, (ugh), within, a wooden coffin.
Of all within the thin, thin shell of man’s
Veneer of city, house, and manners’ ways
There’s naught that saves from such a demon bland,
The mold of his body in his own grave.
There’s naught of man’s, but God, the God Who died
Gives life by blood; as Bread He does reside.